Edouard Vuillard.org, welcome & enjoy!
|
|
Jan Van Eyck
Madonna des Kanonikus Georg van der Paele, mit Hl. Domizian, dem Hl. Georg und dem Stifter Paele
|
ID: 92333
|
|
|
|
Jan Van Eyck
1395-1441
Flemish
Jan Van Eyck Locations
Painter and illuminator, brother of Hubert van Eyck.
According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425. Related Paintings of Jan Van Eyck :. | Portrait of Jacobaa von Bayern | The Last Judgment | Detail of Betrothal of the Arnolfinis | Bebadelsen | Portrait of Giovanni Arnolfini and his Wife | Related Artists: Alberto PasiniItalian Painter, 1826-1899 Circle of Pellegrino Tibaldipainted The Meeting of Mary and Elizabeth in the Presence of St. Jerome, St. Joseph and Others in 1550 - 1600
Carlo Dolci1616-1686
Italian
Carlo Dolci Locations
Italian painter. The major Florentine painter of the 17th century, he enjoyed an international reputation in his own lifetime. He was a gifted portrait painter and painted a number of large altarpieces, but his reputation is largely based on his half-length, single-figure paintings, characterized by their intense religiosity and meticulous technique. His mature style was complex and sophisticated. Intended for cultivated and aristocratic circles, his was never a popular art in any sense. Baldinucci described the painter tormented fantasy and dark fantasms, and his disturbed personality is evident throughout his work after the later 1640s.
|
|
|
|
|
|
|
|
All the Edouard Vuillard's Oil Paintings
Supported by oil paintings and picture frames
Copyright Reserved
|